“So clear you see these timeless things that, like a bird, the vision sings.” These words from a John Arlott poem, which now adorn the late broadcaster’s gravestone on Alderney, could just as easily describe the act of watching a cricket match at Wormsley.
It seems remarkable that, just a quarter of a mile after you leave the M40 at junction 5, you’re nudging the car along one of Buckinghamshire’s sunken lanes, avoiding a quixotic pheasant as it waddles towards you. Eventually you come to the back of the charming pink-facaded pavilion. If you’re lucky (or early) you may bag one of the handful of benches on which to sit. From that moment, you’re part of the ritual. It doesn’t need many spectators; the day we visited, their numbers only narrowly outnumbered the players. The home side, a Getty XI, were playing I Zingari, that famous club of itinerant cricketers whose striped caps and blazers have adorned grounds since 1845.
The Getty whom we have to thank for this occasion was John Paul Getty II, later known as Paul Getty (1932-2003), an American philanthropist who donated, among much else, £50 million to the National Gallery. Getty fell in love with England, becoming a naturalised British citizen, and bought the 2,700 acres of the Wormsley estate in the mid-1980s when it was in a sad condition. Thanks to the efforts of Arlott’s fellow Test Match Special commentator Brian Johnston, and others, Getty also came to love cricket. Johnston’s distinctive beaky silhouette adorns the weather vane on the pavilion of the cricket ground which hosted its first game in 1992. This is no amateur effort – Harry Brind, groundsman for many years at the Oval, helped to ensure that the wickets and ground are of high quality. The England women’s team has played several Test matches here and there’s a busy schedule of matches every summer, some for charitable purposes, others offering free entry. In the days before the international schedule crowded just about everything else out, male Test stars such as Brian Lara and Graham Gooch played. Lara is the only visiting player to have his feat of a century marked with a special plaque in the pavilion – Wormsley’s version of the honours boards at other venues.
The cricket ground is only one aspect of this amazing, vast estate. Garsington Opera has become an annual summer fixture here too, having relocated a few years ago from its original Oxfordshire home. The walled garden and the Library in the family home are also open to visitors on a selective basis. But arguably Wormsley is most famous for cricket thanks to the paradox that, deep in the Chilterns Hills, it was an American who chose to recreate a timeless English idyll.
One thought on “An American in the Chilterns”
I’ve never been to the Garsington Opera, though I’ve heard a lot about it. I see Miah Persson will be singing there next summer (2018).